These bizarre documentaries are as weird as it gets - true crime, The 33 Best Documentaries of All Time Ein Augenblick Liebe, Dokumentation, Deutschland. Watch Netflix movies & TV shows online or stream right to your smart TV, game console, PC, Mac, mobile, tablet and more. Start your free trial today. AGITPROP has produced a number of films, mainly creative documentaries, among which Epo-film is a privately owned top-tier production company providing where communication and understanding are more important than ever before.
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Some people seem to live a hundred lives, and those are the ones who make the best documentary subjects. And Galactic overlord Xenu, ancient prison planets, and child abuse are what separate the defectors from the brainwashed.
Ron Hubbard himself. Most of the major pro sports teams, still, fuss when you so much as dare to ask a player a somewhat-not-really-tough question ever try to talk to Russell Westbrook after a bad game?
Where else can you have a tight end teach you about the wonders of healing crystals? If you want to understand how the modern NBA star was born—players who move between teams like Tinder dates, holding the power to make political and social change far off the court—look at the career of NBA legend Kareem Abdul-Jabbar.
Artwork and notebooks provide an insight into his mind, while soundtracks and self-recorded footage track his rise into a world of fame that he never desired.
Some might think a four-hour documentary is either too long, disturbing, or bone-chilling to sit through. In the doc, Reed painstakingly records the legacy of abuse that two families have lived in for decades.
Before there was Making a Murderer , Serial , and our current obsession with everything seriously, everything true crime, there was Paradise Lost.
The documentary, which was followed by two sequels in and , told the story of West Memphis Three, who were accused of murdering and sexually harming three young boys in Reporters attack Dylan, rabid fans want a piece of him, and everything is reduced to an info-overload blur.
The times would be a-changin' for both the media and this year-old messenger very soon. A masterpiece of what-if storytelling, Peter Watkins's chilling featurette depicts the aftermath of a British nuclear war from a you-are-there perspective.
Using scientific research, government statistics, and testimonies on the damage done in Hiroshima and Nagasaki, Watkins presents manufactured scenes of suburban mayhem under the guise of an emergency news report.
Fires rage, children expire, and England is turned into a barren wasteland; no one had used the fake-documentary format to such an extent before, or with such urgency since.
Originally made for the BBC, Watkins's wake-up call was quickly banned by the network for being too harsh, yet it still nabbed a Best Documentary Oscar in Forty-five years later, it remains a high mark for employing vrit styles to construct something much more perverse and profound than your typical cautionary tale.
Today, Robert Flaherty's arctic slice of life is criticized: His Inuit subjects, made curious by the bulky camera, couldn't help but act a little.
Scenes of igloo building and parenting were staged. Our strapping hero, accustomed to hunting with a gun, was gently urged to revert to his ancestors' spears.
He was also asked to pretend that a female friend of the director was his onscreen wife. These points are not quibbles.
But the greater truth of Flaherty's groundbreaking study can't be denied: Forevermore, documentaries would be committed to the social notion of bringing distant cultures closer however compromised.
Michael Moore made his spectacular debut with this enraging look at the closing of a GM plant in Flint, Michigan. It's a comic cri de coeur against auto-industry exec Roger Smith, who Moore hilariously attempts to confront about Flint's economic downturn.
But it's also an affectionate look at the director's depressed hometown: On his journey, he talks with such colorful characters as Bob Eubanks "Flint's most famous native son" and Rhonda Britton, an eccentric neighbor who sells rabbits for "pets or meat.
The modernizing Soviet Union swirled around filmmaker Dziga Vertov, who, working with his brilliant editor wife, Elizaveta, decided to capture chaotic urban life in Ukraine.
There would be no script, no sound, so hostile was Vertov to narrative. Instead, he would turn his "kino eye" into a hungry maw, one that would cheerfully devour men and women at work, gnashing the image into innovative split-screen and double exposures, breaking the bonds of time and causality.
His avant-garde movie, still a stunning piece of futurism, was the entire spirit of the revolution condensed to a single hour.
It will inspire as long as there are eyes to watch. Follow a quartet of real-life Willy Lomans as they peddle Bibles to working-class stiffs, in the Maysles brothers' bleak picture of the American dream circa the late '60s.
No film has better captured the drudgery and desperation of the men who live day to day, dollar to dollar, door to door.
Werner Herzog's "ecstatic truth" methodology—in which reporting the facts is secondary to finding deeper emotional undercurrents—is on full display in his portrait of Timothy Treadwell, a wildlife enthusiast killed by a bear he adored.
Nature and chaos, obsession and madness—the auteur's thematic preoccupations are all here, in a form that's somehow more moving than Herzog's fictional counterparts.
Reality is always shaped by the documentarian—even the most respectful one makes a choice with every shot.
Here, then, is cinema's grandest piece of propaganda, to remind us not only of the terror of fascism but of the power of the image. Leni Riefenstahl would never escape the legacy of her Nuremberg rally.
A fatuous American general destroys his own credibility "The Oriental doesn't put the same high price on life as does the Westerner" while we watch the graves being dug.
In this one-of-a-kind portrait, Terry Zwigoff takes us deep into the home life of underground comic artist Robert Crumb. Though known for his salacious images of plump females, Crumb comes off as one of the more normal people onscreen alongside troubled siblings Max and Charles.
Zwigoff's film never condescends—this is a dysfunctional family we all can empathize with. Frederick Wiseman's no-holds-barred look at the horrors inside a prison for the criminally insane set the standard for vrit indictments, and not even a year ban on public screenings stopped Wiseman from forcing accountability.
Those who praise the power of the camera to effect change rightfully consider this a landmark. Throw on your oversize, boxy suit, hit PLAY on your boom box and make flippy-floppy with Jonathan Demme's unfailingly awesome Talking Heads concert doc.
The overriding atmosphere is cosmopolitan and multicultural, but limber frontman David Byrne brings things closer to science fiction with his spotlight-commanding dance moves.
Bad weather, heart attacks, temperamental stars and a ballooning budget—it's amazing a turkey didn't result. Only an unrelenting homophobe could come away unmoved by Rob Epstein's Academy Award--winning documentary about the groundbreaking San Francisco politician assassinated by a bigoted colleague.
It's both an angry film and a compassionate one—a true watershed in the gay-rights struggle. Filmed in dramatically crisp black and white yet far from didactic, Tony Kaye's landmark examination of the smoldering battleground of abortion leaves no conviction untested.
Reenacting the events leading up to the murder and including interviews with Adams and other players in the case, Morris's film made a strong case for a miscarriage of justice—so much so that the case was reviewed a year after the film's release, and Adams's conviction was overturned.
Gates and Agee are recruited from their inner-city high schools to attend the suburban St. Joseph High School in Westchester, Illinois, and play in its renowned basketball program.
Hoop Dreams depicts the culture shock Gates and Agee experienced in the predominantly white high school, to which the two boys commuted 90 minutes every day.
A modern masterpiece of documentary filmmaking, the film stirred controversy when it was shut out of the Best Documentary category at the Academy Awards—its sole Oscar nomination was for Best Film Editing.
In , Michael Apted profiled 14 children for his Granada Television special 7 Up , viewing the group as representative of England at large across the country's socio-economic system.
Every seven years, Apted returned to his subjects those that chose to participate, anyway to see how life changed for each one—and how their dreams, fears, and philosophies evolved with time.
The Up Series now includes eight films 56 Up was released in , and Apted has stated his intentions to continue the project.
It remains a fascinating study of how class plays a major role in British culture, but also how the human experience is one that is ultimately universal, despite the specifics that we encounter as individuals.
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